(Originally posted at The Scribblerati)
Last weekend a few intrepid friends and I sat down to my husband’s stellar waffles and watched what some folk call the Worst Movie Ever. This was not my first experience with a movie that had laid claim to that disreputable title; I have sat through many a Worst Movie Ever in my day.
Brave, you say? Not really. I can’t make it through one of these cinematic dingleberries without the help of the cast of Mystery Science Theater 3000, or one of their current incarnations (Rifftrax, Cinematic Titanic). Take away the constant humorous riffing from those professional Bad Movie Watchers, folks with much stronger constitutions than yours truly, and I’d be rendered a quivering pile of goo, all sense of beauty, truth and artistic integrity forcibly drained from my very cells.
But I digress.
In this particular instance, the Worst Movie was Troll 2, an experiment in, let’s for the sake of argument call it ‘filmmaking,” that fails so extraordinarily in its efforts to be remotely good that it ends up being bizarrely entertaining in its own right. We watched the Rifftrax version. A few highlights:
- It’s a movie called Troll 2 that not only is not subsequent to a Troll 1, but also contains no trolls.
- It features one of the hammiest performances in the history of the universe, in the form of the actress playing the goblin queen. Even if the film had been made on Planet Pig, with sets carved from pure Cumberland Gap spiral bone-in ham, she’d still be the hammiest thing around.
- And speaking of ham, the makers were clearly anti-vegetarian, or at least anti-eating your veggies, because the goblins (not trolls) turn all their victims into trees or vegetable goop before consuming them – and our young hero saves the day (spoiler alert!) with a double-decker bologna sandwich. That’s right. You heard me.
- And then there’s the PG sex scene featuring a young man and the goblin queen both biting a corncob, which then (presumably due to the heat of their encounter) explodes into popcorn. The scene, incidentally, has no relation whatsoever to the rest of the story, except perhaps a tenuous tie to the fact that the goblins do love them some veggies. Even in the boudoir, it seems.
Here’s a sample: Troll Clip
And of course, there’s a documentary about it.
Truly awful? Yes. But I have to say that Troll 2, popcorn sex notwithstanding, is a little too snappy and cheery to honestly deserve the Worst Movie trophy.
So then, what constitutes a truly awful movie?
The obvious: Bad writing. Acting so terrible it barely counts as acting, and actors that are inherently unappealing. Incompetent directing. Abysmal, laughable special effects. Lack of continuity.
But what constitutes the Worst Movie of All Time? To qualify, the movie has to have that certain something extra. In my mind, it’s a pervasive atmosphere of oppressive creepiness: not the creepiness derived from good horror writing and cinematography, but that icky, dirty feeling you get when you realize you’re witnessing actors as puppets, forced to perform the director’s particular twisted proclivities for his own titillation. (Honestly, I get this feeling from Tarantino’s films too, although in every other respect they’re exceptionally well done).
Ed Wood’s films fit this profile, except there’s something so gleefully innocent about his strange quirks (not the least of which was his desire, against all reason, to be a filmmaker), that I don’t feel that deep. soul-besmirching uncleanliness that only the worst of the worst can bestow upon its viewers.
There are two movies that I feel might qualify for Giant Turd Trophy (I just made that up, but I think it needs to happen) and both have been given treatment by Mystery Science Theater 3000. The first is Eegah – a picture from the 60s featuring Richard Kiel (Jaws from the James Bond franchise) as the last surviving caveman, and a pie-faced squishy, greasy, whiney young male ‘star’ (the director’s son, natch).
What’s the opposite of sex appeal? Sex repel? Well, you’ve got it, Mister!
Eegah contains a truly repulsive sequence, in which the young hot female lead is trapped in Eegah’s cave with her father, played by the director, where she performs a series of humiliating tasks, including sitting on her daddy’s lap and shaving him. *Shiver*
The second, and probably champion, is Manos, Hands of Fate (or, translated, ‘Hands, Hands of Fate”), a dank and depressing devil story, in which an entirely incompetent family is trapped in a desert hotel by a big-kneed manservant. The movie features a scene where dead, ensorcelled gossamer-clad devil slave ladies have a big old pile-up girl fight accompanied by ghastly saxophone music. The scene goes on and on and on. And on. Also, the female lead gets repeatedly (and very awkwardly) pawed by Torgo, he of the big knees.
You can’t see his knees here, but sufficed to say, they’re whoppers.
There is something so horribly weighty and depressing about Manos, that after watching it, one is left with a sense of ennui that lingers for hours, much like that feeling you get after waking up from a really oppressive, really stupid dream.
So then, now that I’ve thought it through, I highly recommend throwing a Troll 2 party (Rifftrax style): sure it will hurt your brain, but feed your friends waffles and plenty of mimosas, and eventually they’ll forgive you. After all, it isn’t actually the WORST movie ever made.